Christopher Goodhand

Where possible I try to incorporate ‘nature’s imperfections’ (knots, bark inclusion, decay, etc) into my work.

November 20, 2010 | | Artist in Residence | Arts | Back Issues | Departments | In Every Issue | Winter 2010

“Thinking of myself as an artist has always seemed strange, even uncomfortable,” says Caledon woodturner Christopher Goodhand.

“Unlike a painter, for example, most of the work I produce has a functional purpose, although on every piece I take great care to ensure it is tactile and pleasing to the eye.”

“Without a pleasing shape, the effects of mastered technique, fine finish and even the beauty of the wood itself are diminished or lost altogether. Where possible I try to incorporate ‘nature’s imperfections’ (knots, bark inclusion, decay, etc) into my work. Above all else, my goal is always the perfect shape.”

For more information: goodwoodhandturning.com.

About the Author More by Signe Ball

Signe Ball is publisher/editor of In The Hills.

Leave a Comment

Your email address will not be published. Required fields are marked *

By posting a comment you agree that IN THE HILLS magazine has the legal right to publish, edit or delete all comments for use both online or in print. You also agree that you bear sole legal responsibility for your comments, and that you will hold IN THE HILLS harmless from the legal consequences of your comment, including libel, copyright infringement and any other legal claims. Any comments posted on this site are NOT the opinion of IN THE HILLS magazine. Personal attacks, offensive language and unsubstantiated allegations are not allowed. Please report inappropriate comments to vjones@inthehills.ca.